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Album Review: Soft Block Stars by Current 93

Album Name - Soft Black Stars Artist - Current 93 Label - Durtro Records Year - 1998 Genre - Goth, Gothic Folk, Apocal...

Monday, July 25, 2016

Album Review: Heavy Metal, Original Soundtrack



Album Name - Heavy Metal
Artist - Various
Label - Full Moon/Asylum/Epic
Year - 1981
Genre – Heavy Metal, Rock
Preference Rating (1- Hate, 2-Dislike, 3-Okay, 4-Like, 5-Love) - 5
Production Quality (1-Noise, 2-Home, 3-Standard 4-Profesional) - 4
Music Quality (1-Bad, 2-Novice, 3-Amature, 3- Professional, 5-Great) - 3

This is the Soundtrack from the 1981 film animated fantasy film. The film is based on the heavy metal comic/magazines and is an anthology of fantasy shorts connected by a narrating theme. The soundtrack much like the film is an anthology of Heavy Metal and Hard Rock from the time. The soundtrack includes tracks by Sammy Hagar, Blue Öyster Cult, Nazareth, Grand Funk Railroad, Cheap Trick, and a list of ten other really famous artists and bands.  The title track Heavy Metal by Sammy Hagar is pumped full of high energy and early metal guitar electrics guitar riffs. “It’s your one way ticket to midnight call it Heavy Metal.” The lyrics with the music and energy define the film and soundtrack project as well as capture the magazine’s aesthetic. Another great track on the album is "Veteran of the Psychic Wars" by the Blue Oyster Cult. The song captures the fantasy feel of a great psionic war with great guitar solos and musical refrain. “You see me now a veteran of a thousand psychic wars. I've been living on the edge so long. Where the winds of limbo roar. And I'm young enough to look at and far too old to see, all the scars are on the inside. I'm not sure that there's anything left to me.” All of the songs of this album are by musical greats. Most of them are high energy songs fused with the sound of Classic Heavy Metal and Hard Rock. If you’re a fan of classic heavy metal or the film you already love the soundtrack. If not and any of this sounds appealing check it out.

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Instrument of the Week! Bass Clarinet!


The Bass Clarinet is an instrument in the clarinet family that plays in the lower range. To a layman it looks kind of like an anorexic Saxophone, however this instrument is fundamentally different. The bore of the Saxophone starts small and gradually increases. The bass clarinet has a fairly consistent bore size throughout until you reach the bell which is turned up and has a larger size than the bore. All Clarinets are members of the woodwind family. Most are made from wood though fully metal bass clarinets do exist. The keys, bell, and other connecting parts are metal in most cases. The Bass Clarinet is an orchestral and concert instrument. It is heavily used in Jazz. The instrument is also popular in film scores. The instrument is what is called a transposing instrument, which means that the music is written in a different pitch than it sounds. For the Bass Clarinet this usually means what is musically written as C sounds like B flat. Most Bass Clarinet’s are B flat instruments many professional instruments have a low C extension, or sometimes and even lower extension. The Bass Clarinet is heavy and has a peg stand and neck strap to take the weight off of the player. A Bass Clarinet player is usually called a Bass Clarinetist. The instrument has many arguments for who and when it was invented. One might comfortably say it was an evolution of different instruments, between 1750 AD and 1838 AD, resulting in its final appearance. The Bass clarinet is well known amongst musicians and spreading in notoriety amongst the public. It was used in the Beatles song “When I’m Sixty-four.” Famous Bass Clarinetist include Eric Dolphy, Rudi Mahall, John Coltrane , The Edmund Welles quartet, and the duet Sqwonk.

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Monday, July 18, 2016

Album Review: 40 Acres by Caedmon's Call


Album Name - 40 Acres
Artist - Caedmon's Call
Label - Essential Records
Year - 1999
Genre – Christian, Folk, Rock
Preference Rating (1- Hate, 2-Dislike, 3-Okay, 4-Like, 5-Love) - 5
Production Quality (1-Noise, 2-Home, 3-Standard 4-Profesional) - 4
Music Quality (1-Bad, 2-Novice, 3-Amature, 3- Professional, 5-Great) – 4

Sometimes you look back at albums you liked in your past and think to yourself “how could I listen to that?” Other times you look at albums from your past and you see a lot to love and respect. This is one of the latter. While Caedmon’s Call has been less than stellar since the album right after this one. They really did produce some art here. The band is filled under the Christian genre, but there is still good music for all. Some of the tracks like "Daring Daylight Escape” are just love songs. In "Daring Daylight Escape" a guy is proposing a question to a girl he likes, and her answer might make him follow the tracks title. It captures that youthful hesitation and angst over matters of infatuation that most of us experience at some time or another. The album has a strong folk sound with rock and other influences wedded throughout the album. Songs that approach faith directly even when dressed in the language of faith, often are addressed to God without mentioning him directly. "Faith My Eyes" is a track that both address the nostalgia of having moved on from one’s home town while looking back on it, and a prayer that to keep them on the path they are on. The album has lots on unique percussion and talents, for the album they had a drummer as well as a second percussionist just to play the exotic stuff. Probably due to the influence of Derek Webb, at the time Caedmon’s Call didn’t have an issue addressing doubts and questioning faith. Such questions are woven into a multitude of tracks on their first three albums. "Shifting Sand" is one of the few tracks where the lead vocals are done by Danielle Young, the bands female vocalist. The Song addresses the tumultuous nature of faith by comparing its nature to sand which is changed by every wave. The album does a good job at capturing experiences from life, and is worth a listen.

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Instrument of the Week! Autoharp!



A more common instrument in the past, the autoharp still has a lot of pluckers and enthusiasts. The Autoharp was used extensively by country and folk artists of yesterday, but it can still be seen today in a variety of settings. The Autoharp is a stringed instrument with cord bars and dampers connected to keys. When the keys are depressed it mutes all the strings other than the desired ones. The Autoharp does not actually belong to the harp family. The instrument is instead descended from the zither family, and is considered to be a kind of chorded zither. Most modern instruments have 36 or 37 strings and 15-21 cord bars. Though you can find a variety of Autoharp configurations. Some have as many as 48 strings. Much disagreement and debate is situated around the origin of the Autoharp. It does seem pretty safe to say the Autoharp was invented by Germans ether in Germany or this country, and that this was done some time in the early 1880’s. While there are many different manufactures of the instrument, a stylized version of Autoharp is a registered trademark of the U.S. Music Corporation, whose Oscar Schmidt division is famous for making the instrument. The Autoharp also can come equipped with electrical pickups, when they do they are sensibly referred to as Electric Autoharps. Like most other instruments around, synthesized versions of the Autoharp do exist. One such instrument is called the Omnichord. Famous Autoharp players include Brian Jones, Joni Mitchell, Janis Joplin, Cecil Null, and many members of the Carter Family. Please enjoy the links, pictures, and videos found below.

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